WRITING
'The Painter's Discipline: Aesthetics and Form in Scottish Painting' in Visual Studies, 2020
https://www.tandfonline.com/doi/abs/10.1080/1472586X.2020.1745090
'Drawing's Alterity' in Collective and Collaborative Drawing in Contemporary Practice, ed. J. Journeaux and H. Gørrill. Newcastle: Cambridge Scholars Publishing, 2017
www.cambridgescholars.com/collective-and-collaborative-drawing-in-contemporary-practice
Imaginations, Interiors, Surfaces, ed. E A. Hodson, Aberdeen, University of Aberdeen, 2017
www.knowingfromtheinside.org
‘Cracked Glaze', in The Unfinished Compendium of Materials, ed. R. Harkness. Aberdeen: University of Aberdeen, 2017
www.knowingfromtheinside.org
'Prisms of the Abstract: Material Relations in Icelandic Art', Journal of Material Culture, 2016
journals.sagepub.com/doi/full/10.1177/1359183516679185
‘Visibility in the Gallery: Anthropology as Curating Co-Authorship’, visualartsresearch.wordpress, 2016
visualartsresearch.wordpress.com/drawing-conversations-digital-resource/
'The Line As Mediator: Mapping the Lacuna in Contemporary Icelandic Art', Journal of Visual Art Practice, 2015
www.tandfonline.com/doi/full/10.1080/14702029.2015.1010362
'Drawing Lines: Aesthetic Engagement through Drawing-As-Process', ART/E/FACT, 1(1): 13-28, 2011
issuu.com/artefactpub/docs/issue_1/4?ff=true&e=3746210/5625538
'JAÐARSÝN - Peripheral Vision', Kling og Bang Art Galleri, 2010
this.is/klingogbang/archive_view.php?id=205
'The Painter's Discipline: Aesthetics and Form in Scottish Painting' in Visual Studies, 2020
https://www.tandfonline.com/doi/abs/10.1080/1472586X.2020.1745090
'Drawing's Alterity' in Collective and Collaborative Drawing in Contemporary Practice, ed. J. Journeaux and H. Gørrill. Newcastle: Cambridge Scholars Publishing, 2017
www.cambridgescholars.com/collective-and-collaborative-drawing-in-contemporary-practice
Imaginations, Interiors, Surfaces, ed. E A. Hodson, Aberdeen, University of Aberdeen, 2017
www.knowingfromtheinside.org
‘Cracked Glaze', in The Unfinished Compendium of Materials, ed. R. Harkness. Aberdeen: University of Aberdeen, 2017
www.knowingfromtheinside.org
'Prisms of the Abstract: Material Relations in Icelandic Art', Journal of Material Culture, 2016
journals.sagepub.com/doi/full/10.1177/1359183516679185
‘Visibility in the Gallery: Anthropology as Curating Co-Authorship’, visualartsresearch.wordpress, 2016
visualartsresearch.wordpress.com/drawing-conversations-digital-resource/
'The Line As Mediator: Mapping the Lacuna in Contemporary Icelandic Art', Journal of Visual Art Practice, 2015
www.tandfonline.com/doi/full/10.1080/14702029.2015.1010362
'Drawing Lines: Aesthetic Engagement through Drawing-As-Process', ART/E/FACT, 1(1): 13-28, 2011
issuu.com/artefactpub/docs/issue_1/4?ff=true&e=3746210/5625538
'JAÐARSÝN - Peripheral Vision', Kling og Bang Art Galleri, 2010
this.is/klingogbang/archive_view.php?id=205
